timothy emlyn jones
  • Home
  • Artist
    • The Conscious Unconscious, 2010-20
      • > Without Impatience
      • > Neither Here Nor There
      • > Ever Here And There
      • > For Here There Is No Place
      • > Nocturnes
    • An Enquiry Into The Turning of The World, from 2008
      • > The First Series
      • > The Second Series
      • > The Second Series, in the 126 Gallery, Galway
    • In Praise Of Bad Weather 2003-2009
      • > The Soft Day
      • > The Fall
      • > The Chance of Rain
      • > The Slow Air
      • > The Idea of The Rain, after Vincent van Gogh and Ando Hiroshige
    • The Element Of Drawing, 1980-2002
      • > The Act of Drawing
      • > The Good Objects
      • > Celebration of Emptiness
      • > Drawing Water
      • > Light and A Wake
      • > onelinedrawing
      • > All Nil
      • > The Plain Air
    • The Propositions: Performance Art from 1966
      • > Eventstructure With Table, RA, London
      • > Proposition: Container, Containment
      • > Proposition: This is Me
      • > Proposition: Equation = Equation
      • > Proposition: a=A
      • > Proposition: Sztukart
      • > Proposition: Remythification
      • > Proposition: Wrecsam Trioedd
    • What Do They Say?
      • > James Elkins, from a catalogue essay
      • > Mel Gooding, from a catalogue essay
      • > Christopher Cornford, a comment
      • > Tom Morris, from a catalogue introduction
      • > Paul Overy, a Times article
    • What Did I Say?
      • > Timothy Emlyn Jones, John Chris Jones, and Andrew Knight in discussion with Heike Rom
      • > Timothy Emlyn Jones interviewed by William Furlong, Editor, Audio Arts
      • > Proposition: Remythification
  • Educationist
    • Teaching Philosophy
    • Academic Development
    • Projects
      • Creative Difference and Innovation
      • Everyone Is An Artist (research)
      • The Burren Graduate Programmes
      • The Artist-Teacher Scheme
      • The Scribble Festival
      • International Drawing Research Institute
      • Research Assessment
      • Quality Assurance
      • Doctoral Programmes (Burren, Glasgow, Wimbledon, Wolverhapton)
      • The Wolverhampton Modular Scheme and MA Network
      • The Stourbridge Campaign
      • The Creative Arts Foundation Course
      • > Creativity and Institutions
      • A Case for the Inclusion of Art in a Common-Core Curriculum
      • > Creativity and Institutions – images
      • The Free International University
        • Ancient Cultures in the Modern World
        • Creativity and Institutions
      • The Rutherford Experiments
      • Anti-Logic and the Arts
      • The Hornsey Sit-In
    • Essays
      • > Art Comes Out of Art, Interview with John Baldessari
      • > Creativity and Loss
      • > Curious Art: Research as Creative Process
      • > New Knowledge: New Art
      • > Our Conversation With Things and Places
      • > The Studio Art Doctorate In America
      • > The Studio Door Is Open, a discussion of doctorates in studio art
      • > Time, Space And Inspiration: The Lessons Of Study Abroad
      • > A Method of Search For Reality
      • > Art and Lifelong Learning
  • Writer
    • Experimental Texts
      • > On The Beach, an autobiography of consciousness
    • Novels
      • > The Necessary Kiss
    • Short Stories
      • > Max Ernst’s Forest
      • > A Dance of Death
      • > A Story by Jorge Luis Borges
      • > The Silence of Sculpture
    • Poems
      • > Proposition: Equation = Equation
      • > Proposition: Only Dead Men Die (extract)
      • > Proposition: The Will of Triumph
      • > The Passion VI: Translation is a Language
      • > The Passion X: Beyond the Lighthouse
      • > The Radiant Moment (pass)
      • > The Plain Air 3
      • > The Plain Air 9
      • > The Plain Air 10
      • > The Plain Air 12
      • > All Blinking and Blank
  • Man & Boy
    • 1 Person in 1 Page
    • Curriculum Vitae
    • Memories and Influences
  • Current Activities
  • Contact
All content, website design, text, graphics logos, button icons, images, and the selection and arrangement thereof, is the exclusive property of TEJ and protected by Irish and international copyright laws. All rights reserved.