timothy emlyn jones


  • Home
  • Artist
    • The Conscious Unconscious, 2010-20
      • > Without Impatience
      • > Neither Here Nor There
      • > Ever Here And There
      • > For Here There Is No Place
      • > Nocturnes
    • An Enquiry Into The Turning of The World, from 2008
      • > The First Series
      • > The Second Series
      • > The Second Series, in the 126 Gallery, Galway
    • In Praise Of Bad Weather 2003-2009
      • > The Soft Day
      • > The Fall
      • > The Chance of Rain
      • > The Slow Air
      • > The Idea of The Rain, after Vincent van Gogh and Ando Hiroshige
    • The Element Of Drawing, 1980-2002
      • > The Act of Drawing
      • > The Good Objects
      • > Celebration of Emptiness
      • > Drawing Water
      • > Light and A Wake
      • > onelinedrawing
      • > All Nil
      • > The Plain Air
    • The Propositions: Performance Art from 1966
      • > Eventstructure With Table, RA, London
      • > Proposition: Container, Containment
      • > Proposition: This is Me
      • > Proposition: Equation = Equation
      • > Proposition: a=A
      • > Proposition: Sztukart
      • > Proposition: Remythification
      • > Proposition: Wrecsam Trioedd
    • What Do They Say?
      • > James Elkins, from a catalogue essay
      • > Mel Gooding, from a catalogue essay
      • > Christopher Cornford, a comment
      • > Tom Morris, from a catalogue introduction
      • > Paul Overy, a Times article
    • What Did I Say?
      • > Timothy Emlyn Jones, John Chris Jones, and Andrew Knight in discussion with Heike Rom
      • > Timothy Emlyn Jones interviewed by William Furlong, Editor, Audio Arts
      • > Proposition: Remythification
  • Educationist
    • Teaching Philosophy
    • Academic Development
    • Projects
      • Creative Difference and Innovation
      • Everyone Is An Artist (research)
      • The Burren Graduate Programmes
      • The Artist-Teacher Scheme
      • The Scribble Festival
      • International Drawing Research Institute
      • Research Assessment
      • Quality Assurance
      • Doctoral Programmes (Burren, Glasgow, Wimbledon, Wolverhapton)
      • The Wolverhampton Modular Scheme and MA Network
      • The Stourbridge Campaign
      • The Creative Arts Foundation Course
      • > Creativity and Institutions
      • A Case for the Inclusion of Art in a Common-Core Curriculum
      • > Creativity and Institutions – images
      • The Free International University
        • Ancient Cultures in the Modern World
        • Creativity and Institutions
      • The Rutherford Experiments
      • Anti-Logic and the Arts
      • The Hornsey Sit-In
    • Essays
      • > Art Comes Out of Art, Interview with John Baldessari
      • > Creativity and Loss
      • > Curious Art: Research as Creative Process
      • > New Knowledge: New Art
      • > Our Conversation With Things and Places
      • > The Studio Art Doctorate In America
      • > The Studio Door Is Open, a discussion of doctorates in studio art
      • > Time, Space And Inspiration: The Lessons Of Study Abroad
      • > A Method of Search For Reality
      • > Art and Lifelong Learning
  • Writer
    • Experimental Texts
      • > On The Beach, an autobiography of consciousness
    • Novels
      • > The Necessary Kiss
    • Short Stories
      • > Max Ernst’s Forest
      • > A Dance of Death
      • > A Story by Jorge Luis Borges
      • > The Silence of Sculpture
    • Poems
      • > Proposition: Equation = Equation
      • > Proposition: Only Dead Men Die (extract)
      • > Proposition: The Will of Triumph
      • > The Passion VI: Translation is a Language
      • > The Passion X: Beyond the Lighthouse
      • > The Radiant Moment (pass)
      • > The Plain Air 3
      • > The Plain Air 9
      • > The Plain Air 10
      • > The Plain Air 12
      • > All Blinking and Blank
  • Man & Boy
    • 1 Person in 1 Page
    • Curriculum Vitae
    • Memories and Influences
  • Current Activities
  • Contact